2026-09-11
kristian freeman — producer and dj in austin
Kristian Freeman returns with Pull, his second EP following Renegade Bassline. Four tracks of clenched percussion, unstable melody, and low-end pressure.
The A-side pushes into hardgroove territory. "I'd Rather Sink" opens with shuffled drums and a distorted vocal loop, snapping the record into motion. "Instrument of Desire" follows as a hazy drum-machine workout: swung, overdriven, and locked in for late-night warehouse pressure.
The B-side turns darker and more melodic. "Mothu" coils around a detuned mono lead and a mutating FM bass figure, pulling the EP into unstable territory. Closing track "Takers" lands as the peak-time cut, setting melancholic bell tones against a lean, insistent pattern and rolling low end.
2026-06-21
- spiral transmission - arjun vagale / oxygeno
- ultimately (amotik remix) - ben klock & fadi mohem / coby sey
- crevice - fvks
- all is sync - alberto tolo
- make me feel - bailey ibbs
- id - kristian freeman
- more or less - josh heywood
- evil - yanamaste
- id - kristian freeman
- on the run - sera j
- id - kristian freeman
- skid row - phil berg
- divine - fank
- blind spot - red rooms
- without you - half life / bcco
- prismsong - kristian freeman
- you are - hedstrom & pflug
- kinesis - regent
- id - kristian freeman
- id - kristian freeman
2026-03-02
Kristian Freeman presents Renegade Bassline EP, his debut under his own name on new imprint NULL SYSTEMS. Three tracks, three textures.
"Renegade Bassline" opens with driving sub and shuffling hi-hats, building into a hypnotic mono synth that locks in during the second half - proper floor-anchored material.
"Curse//Enchantment" leans into tribal percussion and processed dialogue, minimal and percussive-forward, serving as the EP's most club-focused cut.
Closing track "Prismsong" takes things sideways: hypnotic rhythmic patterns with a pivot that shifts the energy, the fastest and most forward-thinking moment on the release.