Kristian Freeman — Producer and DJ in Austin

Kristian Freeman returns with Pull, his second EP following Renegade Bassline. Four tracks of clenched percussion, unstable melody, and low-end pressure.

The A-side pushes into hardgroove territory. "I'd Rather Sink" opens with shuffled drums and a distorted vocal loop, snapping the record into motion. "Instrument of Desire" follows as a hazy drum-machine workout: swung, overdriven, and locked in for late-night warehouse pressure.

The B-side turns darker and more melodic. "Mothu" coils around a detuned mono lead and a mutating FM bass figure, pulling the EP into unstable territory. Closing track "Takers" lands as the peak-time cut, setting melancholic bell tones against a lean, insistent pattern and rolling low end.

1. Spiral Transmission - Arjun Vagale / Oxygeno
2. Ultimately (Amotik Remix) - Ben Klock & Fadi Mohem / Coby Sey
3. Crevice - FVKS
4. All Is Sync - Alberto Tolo
5. Make Me Feel - Bailey Ibbs
6. ID - Kristian Freeman
7. More Or Less - Josh Heywood
8. Evil - Yanamaste
9. ID - Kristian Freeman
10. On the Run - SERA J
11. ID - Kristian Freeman
12. Skid Row - Phil Berg
13. Divine - Fank
14. Blind Spot - Red Rooms
15. Without You - HALF LIFE / BCCO
16. Prismsong - Kristian Freeman
17. You Are - Hedstrom & Pflug
18. Kinesis - Regent
19. ID - Kristian Freeman
20. ID - Kristian Freeman

Kristian Freeman presents Renegade Bassline EP, his debut under his own name on new imprint NULL SYSTEMS. Three tracks, three textures.

"Renegade Bassline" opens with driving sub and shuffling hi-hats, building into a hypnotic mono synth that locks in during the second half - proper floor-anchored material.

"Curse//Enchantment" leans into tribal percussion and processed dialogue, minimal and percussive-forward, serving as the EP's most club-focused cut.

Closing track "Prismsong" takes things sideways: hypnotic rhythmic patterns with a pivot that shifts the energy, the fastest and most forward-thinking moment on the release.